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Best Poems - Destiny


Best Poems – DESTINY & LUCK & RETRIBUTION


    

 

Chicken – Kim Addonizio   

“Why did she cross the road?
She should have stayed in her little cage,
shat upon by her sisters above her,
shitting on her sisters below her.

God knows how she got out.
God sees everything. God has his eye
on the chicken, making her break
like the convict headed for the river,

sloshing his way through the water
to throw off the dogs, raising
his arms to starlight to praise
whatever isn’t locked in a cell.

He’ll make it to a farmhouse
where kind people will feed him.
They’ll bring green beans and bread,
home-brewed hops. They’ll bring

the chicken the farmer found
by the side of the road, dazed
from being clipped by a pickup,
whose delicate brain stem

he snapped with a twist,
whose asshole his wife stuffed
with rosemary and lemon wedge.
Everything has its fate,

but only God knows what that is.
The spirit of the chicken will enter the convict.
Sometimes, in his boxy apartment,
listening to his neighbors above him,

annoying his neighbors below him,
he’ll feel a terrible hunger
and an overwhelming urge
to jab his head at the television over and over.”

    

 

Youth and Art – Robert Browning

“It once might have been, once only:
We lodged in a street together,
You, a sparrow on the housetop lonely,
I, a lone she-bird of his feather.
 
Your trade was with sticks and clay,
You thumbed, thrust, patted and polished,
Then laughed ‘They will see some day
Smith made, and Gibson demolished.’
 
My business was song, song, song;
I chirped, cheeped, trilled and twittered,
‘Kate Brown’s on the boards ere long,
And Grisi’s existence embittered!’
 
I earned no more by a warble
Than you by a sketch in plaster;
You wanted a piece of marble,
I needed a music-master.
 
We studied hard in our styles,
Chipped each at a crust like Hindoos,
For air looked out on the tiles,
For fun watched each other’s windows.
 
You lounged, like a boy of the South,
Cap and blouse—nay, a bit of beard too;
Or you got it, rubbing your mouth
With fingers the clay adhered to.
 
And I—soon managed to find
Weak points in the flower-fence facing,
Was forced to put up a blind
And be safe in my corset-lacing.
 
No harm! It was not my fault
If you never turned your eye’s tail up
As I shook upon E in alt.,
Or ran the chromatic scale up:
 
For spring bade the sparrows pair,
And the boys and girls gave guesses,
And stalls in our street looked rare
With bulrush and watercresses.
 
Why did not you pinch a flower
In a pellet of clay and fling it?
Why did not I put a power
Of thanks in a look, or sing it?
 
I did look, sharp as a lynx,
(And yet the memory rankles,)
When models arrived, some minx
Tripped up-stairs, she and her ankles.
 
But I think I gave you as good!
‘That foreign fellow,—who can know
How she pays, in a playful mood,
For his tuning her that piano?’
 
Could you say so, and never say
‘Suppose we join hands and fortunes,
And I fetch her from over the way,
Her, piano, and long tunes and short tunes?’
 
No, no: you would not be rash,
Nor I rasher and something over:
You’ve to settle yet Gibson’s hash,
And Grisi yet lives in clover.
 
But you meet the Prince at the Board,
I’m queen myself at bals-paré,
I’ve married a rich old lord,
And you’re dubbed knight and an R.A.
 
Each life unfulfilled, you see;
It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
Starved, feasted, despaired,—been happy,
 
And nobody calls you a dunce,
And people suppose me clever:
This could but have happened once,
And we missed it, lost it forever.”
 
    

 


The Road Not Taken – Robert Frost

“Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.”
    

 

The Queen of Hearts – Christina Rossetti   

“How comes it, Flora, that, whenever we
Play cards together, you invariably,
However the pack parts,
Still hold the Queen of Hearts?

I’ve scanned you with a scrutinizing gaze,
Resolved to fathom these your secret ways:
But, sift them as I will,
Your ways are secret still.

I cut and shuffle; shuffle, cut, again;
But all my cutting, shuffling, proves in vain: 
Vain hope, vain forethought too;
That Queen still falls to you.

I dropped her once, prepense; but, ere the deal
Was dealt, your instinct seemed her loss to feel:
‘There should be one card more,’
You said, and searched the floor.

I cheated once; I made a private notch
In Heart-Queen’s back, and kept a lynx-eyed watch;
Yet such another back
Deceived me in the pack: 

The Queen of Clubs assumed by arts unknown
An imitative dint that seemed my own;
This notch, not of my doing,
Misled me to my ruin.

It baffles me to puzzle out the clue,
Which must be skill, or craft, or luck in you:
Unless, indeed, it be
Natural affinity.” 

    

 

Revolutionary Petunias – Alice Walker   

“Sammy Lou of rue
sent to his reward
the exact creature who
murdered her husband,
using a cultivator’s hoe
with verve and skill;
and laughed fit to kill
in disbelief
at the angry, militant
pictures of herself
the Sonneteers quickly drew:
not any of them people that
she knew.
A backwoods woman
her house was papered with
funeral home calendars and
faces appropriate for a Mississippi
Sunday School. She raised a George,
a Martha, a Jackie and a Kennedy. Also
a John Wesley Junior.
‘Always respect the word of God,’
she said on her way to she didn’t
know where, except it would be by
electric chair, and she continued
‘Don’t yall forgit to water
my purple petunias.'”

    

 

Rubaiyat For Sue Ella Tucker – Miller Williams  

“Sue Ella Tucker was barely in her teens.
She often minded her mother. She didn’t know beans
About what boys can do. She laughed like air.
Already the word was crawling up her jeans.

Haskell Trahan took her for a ride
Upon his motorbike. The countryside
Was wet and beautiful and so were they.
He didn’t think she’d let him but he tried.

They rode along the levee where they hid
To kiss a little while and then he slid
His hand inside her panties. Lord lord.
She didn’t mean to let him but she did.

And then she thought that she would go to hell
For having let befall her what befell,
More for having thought it rather nice.
And she was sure that everyone could tell.

Sunday morning sitting in the pew
She prayed to know whatever she should do
If Haskell Trahan who she figured would
Should take her out again and ask her to.

For though she meant to do as she was told
His hands were warmer than the pew was cold
And she was mindful of him who construed
A new communion sweeter than the old.

Then sure enough, no matter she would try
To turn her head away and start to cry,
He had four times before the week was out
All of her clothes and all his too awry.

By then she’d come to see how she had learned
As women will a lesson often earned:
Sweet leads to sweeter. As a matter of fact,
By then she was not overly concerned.

Then in fullness of time it came to be
That she was full of child and Haskell he
Was not to be found. She took herself away
To Kansas City, Kansas. Fiddle-de-dee.

Fiddle-de-dee, she said. So this is what
My mother meant. So this is what I got
For all my love and whispers. Even now
He’s lying on the levee, like as not.

She had the baby and then she went to the place
She heard he might be at. She had the grace
To whisper who she was before she blew
The satisfied expression from his face.

The baby’s name was Trahan. He learned to tell
How sad his daddy’s death was. She cast a spell
Telling how it happened. She left out
A large part of the story but told it well.

 

 

 

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